Bortolami is pleased to present “Dressage”, six contingent sculptures that together form a parallel to the six levels of training of Classical Dressage. These stages are loosely translated from German as Rhythm and Regularity; Relaxation and Suppleness; Contact; Impulsion; Straightness; Collection. Dressage continues Burr’s overarching interest in structures and performances that control, discipline and contain
Tagsculpture
“Counter Forms” at Andrea Rosen, New York
Counter Forms brings together an extraordinary group of rarely seen works, predominantly from the 1960s and ‘70s, by four artists whose oeuvres remains as fresh and visceral today as they must have first appeared in their time. The exhibition gathers an unprecedented constellation of artists and exceptional historical material, provoking us to look at the
Michael Beutler at Nagel Draxler, Berlin
Press release: The invention of his own artistic “manufacturing” marks the starting point of Michael Beutler’s working process. He constructs complex machines out of simple materials that produce roughly standardized elements serving as parts for his sculptures and installations. In his works the input of labour becomes visible as a form of constructive, unalienated human
Koenraad Dedobbeleer at Micheline Szwajcer, Antwerp
Right now, we are just tapping into a tiny, tiny fraction of our potential. At the moment, this particular issue is really in the area of hearsay and rumor. I would like to see more firm information and I wouldn’t like to just leap off to a conclusion about it based on a few whispers
David Adamo at UNTITLED, New York
UNTITLED feels at home in presenting an exhibition of a new body of work by David Adamo, his second at the gallery. For this exhibition Adamo has taken something enormous made by something small and translated it into something small made by a person—the termite mound. Termite mounds readily concede their ‘sculptured’ organic appearance and
“Trust (A Mi Izquierda)” at Balice Hertling, Paris
Yves Klein emptied a room in order to fill it with an immaterial presence for the first time in 1957, in the gallery-apartment of Colette Allendy, at 67 rue de l’Assomption in Paris, “a charming little hotel particulier for the major crossroads of abstract art in the world.” Before the above-mentioned presence came to be
Tauba Auerbach at STANDARD, Oslo
Tauba Auerbach’s new show is taking place in Oslo for STANDARD. The exhibition is allready on view and is going to last untill September 28 under the title: A comb A grating A wave A particle A solid A field A mirror A sundial A slice A charge A hole A ghost
Lucy Skaer at Mount Stuart, Isle of Bute
Mount Stuart is delighted to announce a major commission of new work by Lucy Skaer. This will be Skaer’s first Solo project in Scotland since her Turner Prize nomination and exhibition at Tate Britain in 2009. Skaer has recently returned to live in Glasgow after 4 years in New York. Mount Stuart is without doubt an
Carsten Höller at Air de Paris, Paris
Press Release: ‘With’ does not mean ‘And’. If this were not the case, nothing would singularize the two terms. ‘With’ means 1+1 = 2, whereas ‘And’ says 1+ 1 = 1. Putting two things together while retaining their singularities is more paradoxical and unexpected than simply adding them up. So 1+1 = 2 is less
Sharon Lockhart at Blum and Poe, Los Angeles
Blum and Poe, Los Angeles is pleased to present the solo show of Sharon Lockhart. The exhibition is running from November 21, 2009 till January 9, 2010 under the title “Lunch Break” Images courtesy of Blum and Poe Gallery, Los Angeles https://www.blumandpoe.com