Stephen Prina at Secession, Vienna

The work of American artist, musician, and composer Stephen Prina is characterized by his appropriation of works by other artists, which he then places in new contexts. This is also the approach taken in his new project As He Remembered It, developed specially for the Hauptraum at the Secession, and in the four new works in

Franz Erhard Walther at Kunstmuseum Luzern

With the 1975 installation Gesang der Schreitsockel, Museum of Art Lucerne was able to acquire a major work by the German artist Franz Erhard Walther from his 1992 solo exhibition in the old Kunsthaus. The 55 individual pieces that can be arranged into different-shaped tracks are matched with a 70-part series of working drawings. Together

Ai Weiwei at Neugerriemschneider, Berlin

Press release: On April 3rd, Ai Weiwei was detained by Chinese authorities in Beijing. All demands made to the Chinese government regarding his right to a transparent and fair legal process have thus far been ignored. We are very concerned about the well-being of Ai Weiwei, as well as that of his family, staff, and friends. Yet,

Michail Pirgelis at Sprüth Magers, London

Sprüth Magers London is pleased to present ‘Los Angeles’ featuring new work by the German-born, Greek artist Michail Pirgelis in his first solo exhibition in the U.K. A graduate of the prestigious Düsseldorf Academy and former Master student of Rosemarie Trockel, Pirgelis’ artistic practice explores the sculptural possibilities of decommissioned airplane parts. Since 2003, Pirgelis

Andreas Zybach at König Gallery, Berlin

Press release: Johann König, Berlin is pleased to announce its fourth solo exhibition of Andreas Zybach. Zybach is presenting new sculptures and drawings. The electronically controlled sculptures consist of compressors, pipes, valves, metal colored tubes, and balloons. The objects, formally resembling trees, are systems that remove the air from the room in order to compress

Lynda Benglis at New Museum, New York

Over the past forty years, Lynda Benglis has developed a distinctive and influential sculptural language. Benglis rose to prominence during the 1960s and ’70s, a time when her singular practice both intersected with and transcended the categories of post-Minimalism and feminist art. Benglis’s sculptures suggest a remarkable range of influences, including the gestures of Abstract

Thea Djordjadze at Kiosk, Ghent

KIOSK hosts Quiet speech in wide circulation, Georgian artist Thea Djordjadze’s (Tbilisi, 1971) first ever solo show in Belgium. The exhibition’s title refers to the venue’s original function as an anatomical theatre, where even the slightest whisper resonates throughout the room. The artist has forged flat, lean structures that take over the hemicycle’s floor surface

Isabelle Cornaro at 1m3, Lausanne

«Movement is all approach as gap, approach with caution, away with desire. It assumes a contact, but it supposes interrupted, if not broken, lost, impossible to the end.» Georges Didi-Huberman. Le vertige de la moraine is based on the mechanical device of sedimentation as an arrangement principle. Moraine is a shape consisting of two movements;

Aleana Egan at Drawing Room, London

The Drawing Room is delighted to announce Aleana Egan’s first solo exhibition in London. Egan will make a new body of work in response to the architectural space and the immediate environs of the Drawing Room. Drawing forms the starting point of Egan’s work, with a sketchbook providing a repository for the noting down of

Manfred Pernice at Secession, Vienna

Berlin-based German artist Manfred Pernice developed the sculpturama show especially for the Hauptraum at the Secession. His sculptural works are built or assembled out of simple, sometime painted or sprayed materials including cardboard, chipboard, concrete, and metal, supplemented with text, maps or photographs. Starting from his observations of the urban environment, he highlights its failings

Aaron Curry at Schinkel Pavillon, Berlin

Press Release: The sculptures and paintings of Aaron Curry explore complex relationships between drawing and form, abstraction and figuration, and space, both real and virtual. The artist’s recent works blurred conventional distinctions between figure and ground, subverting the white cube of the gallery and creating an environment of total optical immersion. For his exhibition at