Press release: We are outnumbered. Amidst a network of kinetic objects, Harrison Pearce lets us peer into strange relationships. Rigid industrial materials frame organic forms, bulbous and infant sized, simultaneously cradling and stimulating them. A burst of noise, and suddenly something moves. While attempting to locate the unseen event, a viola da gamba soothes us
Authorcontemporaneities
Ernesto Burgos at The Goma, Madrid
Press release: Ernesto Burgos’ practise in recent years has been sustained on the production of three-dimensional works exploiting the malleability of cardboard, later coated in fiberglass and then covered with charcoal, oil and wax. The sculptures presented at this third exhibition at The Goma open up a new path within the artist’s output insofar as
Marco Maria Zanin at Marignana Arte, Venice
Press release: Arzanà is the name of a cultural Venetian association that for years has attended on the transmission of the nautical tradition in the lagoon and it is owner of a small museum into which numerous object are preserved, deposit of the past, shapes loaded with potential that staying in their magnificent disuse yearn
Fatma Shanan at Dittrich & Schlechtriem, Berlin
Press release: The garden, Michel Foucault once wrote, is a carpet on which a symbolic representation of the entire world is unfolding. And the carpet, for its part, is in a sense a movable piece of the world, a garden that can be unrolled as desired beneath our feet and our lives.[1] This multilayered object,
“appearing unannounced” at Rirkrit Tiravanija’s studio at Tambon Nam-bo-luang, Chiangmai
Opening : 17 November 2018, 3-6 pm / artists’ talk and barbecue. Book launch : ACS (Asian Culture Station) Chiangmai, Thailand date (TBC) Exhibition on view : 17 November 2018 – 17 March 2018 / 11am-5 pm or by appointment As a part of Painnale 2018, ‘appearing unannounced’ is a group exhibition based on the
Beverly Pepper at Kayne Griffin Corcoran, Los Angeles
Press release: Kayne Griffin Corcoran is pleased to present the gallery’s second solo exhibition of work by, 96 year-old American born, Italy based sculptor, Beverly Pepper. The presentation will highlight the work this great artist created early on in her career between 1958 – 1967. During this period, Pepper carved out a niche in her
“The Classics” at Fons Welters, Amsterdam
Press release: Galerie Fons Welters is known for programming young artists, often at the start of their career. In the meantime, the gallery has been around for almost 35 years. We have been working with several artists for more than 20 years, and in some cases even more than 25 years. These artists are embedded
Mercedes Azpilicueta at NoguerasBlanchard, Madrid
Press release: They say that History does not repeat itself, but it often rhymes. The gestures we perform bear the echoes of histories, narratives and other expressions that precede us; we have to learn to read through their inner lignings to find traces of the past. That is what artist Lea Lublin proposed when she
Ricardo van Eyk at P/////AKT, Amsterdam
Press release: – A good pilot program provides a platform for the organization to test logistics, prove value and reveal deficiencies. Typically, a pilot program begins with a proposal that lists the objectives (…) and should also provide metrics for how success will be determined. – Serving as a prototype – This earlier sense pre-dated
Javier Rodríguez Lozano at Galería Fran Reus, Mallorca
In this project Javier Rodríguez Lozano explores the pictorial potentialities of the doormats from the building he has been living in for the last 8 years. Doormats, daily ill-fated objects normally ignored, have strong symbolic and form traits that interest me: their minimalistic designs, tied to the symbolic; the body-language closed in their use; as
Jef Geys at NTU, Singapore
Press release: NTU Centre for Contemporary Art Singapore presents Quadra Medicinale Singapore, the late Belgian artist Jef Geys’s first institutional exhibition in Asia. Geys’s conceptual practice adopted an interdisciplinary and collaborative process of research and knowledge-formation, and was driven by his belief that art should be intertwined with the everyday. For Quadra Medicinale (2009), Geys
Linder at Modern Art, London
Press release: Modern Art is pleased to announce an exhibition comprising recent and new works by Linder. This is her first solo exhibition in London since 2011, and includes previously unseen and new photomontage works as well as a series inspired by Ithel Colquhoun’s ‘Mantic Stain’ technique. Linder’s exhibition at Modern Art coincides with her
Cécile B. Evans at Château Shatto, Los Angeles
Press release: Cécile B. Evans’ practice offers percipient, moving accounts of the governance and rebellion of human emotions, in particular as they come into contact with technological and physical structures that seek to rationalize or streamline them. Her films, sculptures and installations articulate moments of dissonance as instruments of capitalist progress and technological advancement come
Michele Gabriele at Eduardo Secci Contemporary, Florence
Press release: The Eduardo Secci Gallery Project is pleased to inaugurate the artistic direction by Luca Pozzi and his itinerant platform SWAN STATION with the personal show featuring the works by Michele Gabriele titled “The Missing Link. On Every Point of a Sphere.” Michele Gabriele works in time, with time, and for time. He leads
Helen Marten at König Galerie, Berlin
Press release: Helen Marten works across sculpture, painting and writing to create a body of work that questions the stability of the material world and our place within it. Alluding to language, systems and intentionality, her work across all media sets out to imagine the miraculous substructure beneath the veneer of our habitual lives. The
Alicja Kwade at Kunsthal Charlottenborg, Copenhagen
Press release: The exhibition title Out of Ousia sets the tone for the emerging contemporary artist Alicja Kwade’s (b. 1979) first institutional solo exhibition in Denmark: With her poetic minimalism and powerful sculptures, the Polish-born artist has created an exhibition that questions science and social conventions. A vase created by the dust from a blended
Dora Budor at 80WSE, New York
Press release: 80 Washington Square East is an address acquired by New York University along with the entire frontage of the eastern side of Washington Square park in 1925. At the time, the school’s attendance was growing exponentially, from 500 students in 1919 to over 7,000 by 1929. Additional living quarters and administrative facilities were